I spent twenty years tracing where value goes. Now I'm building Ekho to send it back.
Twenty years across policy, institutions, and startups. Digital assets, regulation, media economics.
See the work →Testifying expert in digital asset, regulatory, and data integrity matters.
See the record →The direct-to-fan music economy. Artists own their audience and finally earn a living from it.
See Ekho →Whoever holds the record of a relationship controls it. That should be the artist, not the platform sitting in the middle.
When the story and the data disagree, the data is right. My work is to find it, prove it, and make it undeniable.
A room earned by the people who actually care beats a room sold to whoever paid most. Better nights, better economics, better careers.
Wrote blockchain policy for a sovereign government. Advised the world's largest institutions. Founded and ran venture-backed companies. Whatever you're facing, I've likely stood where you're standing.
My job is to find it, prove it, and explain it so clearly that nobody in the room can miss it. Digital assets, regulation, and data integrity, for courts, tribunals, and regulators.
Where did the value actually go,
and who should have gotten it?
That question again, in every seat I have ever sat in. Six of them, one problem.
Forensic financial investigation. Analyzed data on the Madoff and Lehman Brothers matters in a non-testifying analytical capacity.
Disputes and investigations worldwide. Co-authored Abu Dhabi's blockchain strategy.
Early-stage digital asset investing and company building.
Blockchain streaming on connected TV. Past one million users with on-chain revenue sharing.
Expert reports across disputes, investigations, and regulatory matters. Testimony in U.S. federal court.
The direct-to-fan music economy. Artists own their fan data, and the money moves directly from fan to artist.